W.O.J. Nieuwenkamp (1874-1950), the First European painter of Bali.
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| Entrance to a house in Denpasar, Bali, 1937 He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. |
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| Wobbly bridge, Tabanan, Bali, 1937 In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen. |
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| Besakih Temple, Karagasem 1918 Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch rule but Southern Bali in 1904, when Nieuwenkamp visited it, was still independent. Nieuwenkamp would be one of the last Westerners to experience a glorious medieval society in its final days. During his second visit to Bali in 1906 the Dutch decided to end the independence of South Bali and Nieuwenkamp was invited by the Governor-General van Heutz to accompany the Dutch invasion force. By contemporary European standards, the Balinese were barbarous and primitive, particularly with widows throwing themselves in the flames of the funeral pyre of their deceased husbands. But Nieuwenkamp was a singular man who saw in their society the beauty and soul that had been lost in his own.
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| Barong, Ubud en Tabanan Bali 1906 |
 Fruit carrier, Bali 1927 | ||
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| Young boy at Loemboeng, 1918 |
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| Houses in Matoer, Sumatra, 1925 |
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| Temple of Besakih, Karangasem, Bali circa 1907 On September 20th, 1906, Denpasar, the capital of South Bali fell to the Dutch military forces. Official military briefings praised the victory which was reported with nationalistic pride on the front pages of all Dutch newspapers. As Nieuwenkamp had witnessed, the truth was far from glorious. As if in a trance the Balinese, men women and children, dressed in their finest silks and jewellery and armed with ancient bejewelled krises, the Raja himself mounted atop a golden palanquin, rushed forward, the men killing their wives and children and the Dutch machine gun fire doing the rest. The once-powerful and magnificent court of Denpasar was left in ashes and as many as two thousand Balinese dead. The Dutch suffered four dead. |
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| Market under the Banyan tree, 1937 |
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| Ida Bagoes Raki, Bali 1906 Nieuwenkamp made drawings and saved as many beautiful architectural elements and artefacts from the rubble as he could, most of it now in the collection of the Ethnological Museum in Leiden. |
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| Statue of Vishnu Garuda, Bali, 1904 |
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| Fruit carriers, Bali 1927 Besakih |
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| A Buginese boat, Semarang 1898 |
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| Wadah, Bali 1906 |
 Forest in Den Pasar, 1937 (a Sema or pyre place near Den Pasar. In the background a pyre is burning)  Premises in North Bali, 1906 |
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| Besakih Temple, Karagasem 1918 |
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| Entrance of the temple by Blahbatu, Bali 1907 |
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| Incoming rain, Den Pasar, Bali 1937 |
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| Entrance to the temple at Klungkung, Bali, 1925 |
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| Meru in Kesiman, Bali 1906 |
