Showing posts with label Krishna. Show all posts
Showing posts with label Krishna. Show all posts

Wednesday, December 7, 2016

This is life. December 2016

Years ago, in 1978, I was living in the Himalayas, in Manali, India. My boyfriend, an American who was also studying Buddhism with Tibetan lamas in India, needed to go to the next small town, Kulu, to get his visa extended.

So we took the bus down the winding mountain road from Manali to Kulu and asked to see the police officer at the Foreigners' Registration Office. We were told to come back in several hours. After having a bite to eat, we decided to go see a Bollywood film at the small country cinema there.

The film was called “Yehi Hai Zindagi” (This is Life). It was a marvelous, very entertaining film, a charmingly told morality tale. The "movie features LORD KRISHNA in it, visiting its lead hero Sanjeev Kumar at regular intervals, granting him all he wishes for in his life, of the material world. Though at first Sanjeev doesn’t believe that he is the GOD himself meeting him in person, so he very casually treats him as a ‘theater artist’ dressed in the attire of LORD KRISHNA. And even later, when he unwillingly has to accept the truth, he starts asking ‘Big things’ from THE LORD just to test his powers and KRISHNA goes on fulfilling his every single wish at an appropriate time.

However, the moment Sanjeev starts becoming rich from a poor labourer, his mind begins functioning differently, his EGO comes into action and from here onward the film gets into the mould of
 A LIFE TEACHING LESSON with many interesting twists and turns in its well written script. A pure gem for its every sequence of the enlightening interaction between KRISHNA (adorably played by Vikram Gokhale) and Sanjeev Kumar at the various phases of his life, the film has some exceptionally written dialogues which are so simple yet highly effective, that seriously force you to think making that instant connect. Particularly watch out for the conversations with the word “My Sin” 
which is simply outstanding, insightful work from both the writer and the director, still remembered as the key point of the film by many who watched it in the theaters".

That scene is my favorite. It is delightfully witty with its double meanings. The lead character, Sanjeev, is ill. He cannot eat all the many delicious foods with sugar and salt he loves because he now has diabetes and other ailments. Krishna points out that the names of all the antibiotics he's taking, Terramycin, Achromycin, Ladamycin, Garamycin, all end with the words, "my sin". The lesson is that because of the 'sin' of his egotism, harming others, there is karmic payback in the form of not being able to enjoy his life.

It's such a delight to be able to find that scene on YouTube now, after all these years. 

One of my favorite multi-cultural plays on words in film. Sanjeev says, when he turns and sees the radiantly blue Krishna, adorned with flower garlands and gold headdress, "Oh you." Krishna offers him all kinds of delicious foods. Sanjeev whines that he can only eat and drink bland things. Krishna says. "Have a seat." Sanjeev cannot sit because he has hemorrhoids. Then Krishna looks at the names of the medicines. When Sanjeev reads the names, Krishna points out the "my sin" endings of each of the medicines. Sanjeev starts to wake up to the reality of his misdeeds. 
I love the times Krishna appears and talks with Sanjeev. Such a warmly human, personal relationship between the Divine and Man, endearing.

Stunningly beautiful Nature pics by Stefano Ronchi.

How astounding macro photography can be! Love these extraordinary images.

Whoa. this is a butterfly's tongue.


Photograph by Jochen Schroeder

Chiang Mai, Thailand


Subject Matter:
Butterfly proboscis
This is a close-up of a butterfly's wing!



Photograph by Francis Sneyers

Brecht, Belgium


Subject Matter:
Scales of a butterfly wing underside (Vanessa atalanta)

A joyful video I like a lot
. With good recovery lyrics.

Nice info, concise and interesting. Every country in the world.



How terrible New York City would be without Central Park! The true story of how that almost happened. 
A map of the City of New York, from 1811.                                                                                                                      PHOTOGRAPH BY THE NEW-YORK HISTORICAL SOCIETY / GETTY
  An original copy of John Randel, Jr.’s Manhattan grid map at the County Clerk's Office, in New York. The intersection in focus, Sixth Avenue at West Eighty-sixth Street, is now a part of Central Park.PHOTOGRAPH BY MICHAEL APPLETON / THE NEW YORK TIMES / REDUX
Turkish Artist Paints Unbelievably Tiny Paintings Onto Small Objects

Wednesday, July 25, 2012

Pahari paintings from the Himalayan foothills, 17th and 18th Century paintings from North Western India



Devi on the lotus
Illustration from the Tantric Devi Series
Basohli or Nurpur, Punjab Hills, ca. 1660-70

In the foothills of the Himalayan Mountains of North West India there developed in the 17th and 18th centuries a distinctive and beautiful type of painting that came to be known as "Pahari", which means of the hills.

There were a number of styles that evolved in the different areas of these foothills, usually named after specific towns or provinces, such as Kangra, Jammu, Nurpur, Chamba, Basohli and Punjab.

There were many themes depicted in the Pahari paintings, ordinary life, gods and goddesses, festivals, portraits and court life.

One of the most popular themes was that of Krishna, portrayed in various perspectives: a god-child, a prankster, a model lover, a divine hero and the Supreme Being.

Krishna is often depicted in vignettes from the Gita Govinda or the Rasa Lila. 

"The rasa lila takes place one night when the gopis of Vrindavan, upon hearing the sound of Krishna's flute, sneak away from their households and families to the forest to dance with Krishna throughout the night, which Krishna supernaturally stretches to the length of one Night of Brahma, a Hindu unit of time lasting approximately 4.32 billion years. In the Krishna Bhakti traditions, the rasa-lila is considered to be one of the highest and most esoteric of Krishna's pastimes. In these traditions, romantic love between human beings in the material world is seen as merely a diminished, illusionary reflection of the soul’s original, ecstatic spiritual love for Krishna, God, in the spiritual world."

Early Master at the Court of Mandi (Attributed). The gopis pleading with Krishna to return their clothes: folio from a Bhagavata Purana series. Mandi, Himachal Pradesh, ca. 1635–50. The Kronos Collections


The Holy Family India
Pahari, Kangra or Garhwahl 1780-1800.
This is a family portrait of the Hindu god Shiva on Mount Kailasha. Shiva sits on a leopard skin with dishevelled hair, a sign of his ascetic practices. He is surrounded by his wife Parvati, his elephant-headed son, Ganesha, and multi-headed son, Karttikeya, who play the musical instruments vina and drums. Shiva’s bull mount, Nandi, Ganesha's rat mount and Karttikeya's peacock mount relax around the group.

Lotus-clad Radha and Krishna. Mankot, Punjab Hills, India circa 1700-1710


Rama and Sita in the forest, 1780

Krishna and Radha. Kangra

Krishna and Radha, arranging the tresses of his love. Kangra

Krishna and Radha, hang on my ears the jewelled earrings O accomplished youth. 

Krishna adorns Radha after their love-making
Illustration to the Gita Govinda Book XII. Kangra, Punjab Hills, ca. 1775-8015.


Krishna and attendants visiting Radha Kangra, Punjab Hills, India late 18th century-early 19th century

Krishna playing a flute, ca. 1790-1800 Rajput period.


Manaku, Krishna playing blindman's bluff. Guler, Himachal Pradesh, ca. 1750–1755.The Kronos Collections


Krishna Flirting with the Gopis, to Radha's sorrow, ca. 1760

Page from Bhanudatta's 'Rasamanjari' illustrating Rama's concerns for Sita. Punjab, India ca.1720 

Nainsukh (Attributed), Raja Balwant Singh of Jasrota worships Krishna and Radha. Jasrota, Himachal Pradesh ca. 1745 – 1750. Opaque watercolor, ink, silver and gold on paper,The Metropolitan Museum of Art, New York.

Krishna-Abhisarika Nayika meets a witch and snakes on the way to meeting her lover, Detail from an early 19th century Indian miniature painting (Period - Rajput, Pahari, Kangra school), ink and color on paper. 

First generation after Manaku and Nainsukh. Krishna with Radha in a forest glade: folio from the second Guler Gita Govinda series. Guler, Himachal Pradesh, ca. 1775. Collection of Barbara and Eberhard Fischer, on permanent loan to the Museum Rietberg Zürich

Shiva watches Parvati Sleep
Indian, Pahari, about 1780–90    Garhwal or Kangra, Punjab Hills, Northern India. Museum of Fine Arts Boston

Bahu Masters. Raga Madhava: folio from a Ragamala series. Bahu, Jammu, ca. 1720. Museum Rietberg Zürich, Collection of Alice Boner

Via Art Fund: 'Radha and Krishna in the Grove' illustrated here dated circa 1780, opaque watercolour on paper, 13 x 17.5cm. This work is no.16 in one of the albums executed around 1870 by an artist from Kangra in in the Pahari Hills of Punjab, India, during the reign of Raja Sansar Chand (1775-1823). It is among the finest Indian miniatures and features Radha and Krishna, the eighth and most popular incarnation of the Hindu god, Vishnu, embracing in an idyllic landscape. The graceful, intertwining poses of the couple in this elegant watercolour meet with an ecstatic response from the natural world, where egrets graze, lotuses flower and the trees suddenly spring into bloom around them. 

Via: An Illustration from the Gita Govinda: Krishna and Radha in a Bower, India, Kangra or Guler, circa 1780. Opaque watercolor heightened with gold on paper. 


Krishna steals the clothes of the gopies Kangra, Pahari, circa A.D. 1800


The Birth of Evil An illustration to the Bhagavata Purana, Basohli, circa 1730-40 A.D.

The Dilemma of the Heroine Illustration to the Rasamanjari. Basohli, circa 1695 A.D


On the threshold of Youth, An illustration to the Rasamanjari. Basohli, circa 1695 A.D.

Enter the bower of Love, O Beautiful, An illustration to the Gita Govinda. Basohli, 1730 A.D.
From the excellent Navin Kumar website, Court Paintings of India from the 16th to the 19th Centuries






Ganesh, Basohli c. 1730
Varaha and Hiranyaksha: Folio from a Bhagavata Purana Series
Varaha and Hiranyaksha: Folio from a Bhagavata Purana Series
Attributed to Manaku (active ca. 1725–60)
The Demon Hiranyaksha Departs the Demon Palace: Folio from a   Bhagavata Purana Series
Attributed to Manaku (active ca. 1725–60)
Bhairavi Ragini: Folio from a Ragamala Series
Early Master at the Mandi CourtDate: ca. 1640–50
Radha and Krishna in Discussion, (An illustration from Gita Govinda) Gouache on paper 
(ca.1730).


How the Himalayan foothills look these days
Photo: Flickr Copyright east med wanderer
Here, you can see the Himalayan region of Northern India







The Geometry of Kangra Paintings by Michael Schneider